More Furniture and Collectibles – cenove.shop https://www.cenove.shop Sun, 26 Jan 2025 11:26:14 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 Very Large Hand-Drawn View of St Iago Cape Verde, by Frederici, 1783 https://www.cenove.shop/product/very-large-hand-drawn-view-of-st-iago-cape-verde-by-frederici-1783/ https://www.cenove.shop/product/very-large-hand-drawn-view-of-st-iago-cape-verde-by-frederici-1783/#respond Sat, 12 Oct 2024 02:55:35 +0000 https://www.cenove.shop/product/very-large-hand-drawn-view-of-st-iago-cape-verde-by-frederici-1783/ Johann Christian Friderici [= Frederici] (Heldburg 1766 – Cape Town 1804)

Prospect van het eyland, en de rheede van St. Iago. Geteekend van Johann Christian Friderici / Verbeelding van de inwoonders op St Iago

(View of the island, and the roadstead of St. Iago. Drawn by Johann Christian Friderci / Depiction of the inhabitants on St Iago)

?Porto Praia, Cape Verde, 1783.

Watercolour with ruled black ink border on laid paper, watermarked Pro Patria with Maid of Dort,
H. 29. 5 x W. 120.5 cm

The largest recorded early modern panoramic view of Cape Verde, by “the best VOC map maker in South Africa” (Koeman). This is his earliest known work.

Santiago’s Porto Praia is the main harbour of Cape Verde. It served as an important transportation hub for enslaved African people to the Americas and for the restocking of ships bound for the Cape with salt and fresh foods. These two functions of the island are depicted in the cartouche in the top right. It shows an African family and examples of livestock: a turkey and a goat. The man wears clothes that are also seen in depictions of plantation guards in the West Indies of the same period.

  • Dimensions:
    Height: 11.62 in (29.5 cm)Width: 47.45 in (120.5 cm)Depth: 0.08 in (2 mm)
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    PaperHand-Painted
  • Place of Origin:
    Cape Verde
  • Period:
    Late 18th Century
  • Date of Manufacture:
    1783
  • Condition:
    GoodWear consistent with age and use. Can be framed. Some creases and folds, yellowed and some foxing – all not disruptive (can be restored on request).

  • Seller Location:
    Amsterdam, NL
  • Reference Number:
    Seller: LU5458229747982
]]> https://www.cenove.shop/product/very-large-hand-drawn-view-of-st-iago-cape-verde-by-frederici-1783/feed/ 0 Greece 1660 Jan Jansson Watercolour Map Peloponesus Sive Morea I Laurenbergio https://www.cenove.shop/product/greece-1660-jan-jansson-watercolour-map-peloponesus-sive-morea-i-laurenbergio/ https://www.cenove.shop/product/greece-1660-jan-jansson-watercolour-map-peloponesus-sive-morea-i-laurenbergio/#respond Sat, 12 Oct 2024 02:54:50 +0000 https://www.cenove.shop/product/greece-1660-jan-jansson-watercolour-map-peloponesus-sive-morea-i-laurenbergio/ We are delighted to offer for sale this Jan Jansson Date: 1660 (published) Amsterdam map of Greece.

This is an authentic antique map of Peloponnese or the Morea peninsula by Jan Jansson. The map was published in Jansson’s “Atlantis majoris” in Amsterdam, circa 1660.

This striking map shows southern Greece from Thebes and Athens in the north, to the southern coast of Peloponnese and includes several islands surrounding the massive peninsula. Rivers, forests, cities, and villages are noted throughout and regional borders within Peloponnese are delineated.

Decorative elements include several ships, some of which appear in battle and decorative cartouches.

The condition is excellent so far as I can see, there will naturally be age related patina, it looks to be a hand watercolour piece.

Dimensions

Height:- 51cm

Width:- 59.5cm

Depth:- 2cm

Please note all measurements are taken at the widest point.

This item is available for collection from our Pulborough warehouses.

CONDITION

Please view the very detailed pictures as they form part of the description pertaining to the condition.

Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.

  • Dimensions:
    Height: 20.08 in (51 cm)Width: 23.43 in (59.5 cm)Depth: 0.79 in (2 cm)
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    Copper,Hand-Crafted
  • Place of Origin:
    Denmark
  • Period:
    1660-1669
  • Date of Manufacture:
    1660
  • Condition:
    GoodWear consistent with age and use. Minor fading.

  • Seller Location:
    GB
  • Reference Number:
    Seller: LU2823329915052
]]> https://www.cenove.shop/product/greece-1660-jan-jansson-watercolour-map-peloponesus-sive-morea-i-laurenbergio/feed/ 0 Dutch Luther Bible with fine hand-coloured and highlighted in gold illustrations https://www.cenove.shop/product/dutch-luther-bible-with-fine-hand-coloured-and-highlighted-in-gold-illustrations/ https://www.cenove.shop/product/dutch-luther-bible-with-fine-hand-coloured-and-highlighted-in-gold-illustrations/#respond Sat, 12 Oct 2024 02:53:28 +0000 https://www.cenove.shop/product/dutch-luther-bible-with-fine-hand-coloured-and-highlighted-in-gold-illustrations/ Beautifully bound mid-17th-century “Visscher edition” of the Dutch Luther Bible with expertly hand-coloured and highlighted in gold illustrations.

[BIBLE – LUTHER – DUTCH]. VISSCHER, Adolf (translator). Biblia, dat is, de gantsche H. Schrifture vervattende alle de boecken des Ouden ende Nieuwen Testaments. Nu van nieuws uijt D.M. Luthers Hoogh-Duijtsche Bibel in onse Neder-landsche tale getrouwelijck over-geset, tot dienst van de Christelijcke gemeijnten, d’onveranderde Augs-burgsche confessie toegedaan in dese Nederlanden.
Printed on the presses of Lodewijk III Elsevier in Amsterdam.
Icluding:
(2) De Propheten.
Amsterdam, Rieuwert Dircksz. van Baardt, 1648.
(3) De Apocryphe boecken: dat zijn boecken die der heylige schrifture niet en worden gelijck gehouden ende nochtans nut ende goet zijn om te lezen.
Amsterdam, Rieuwert Dircksz. van Baardt, 1648.

4 parts in 1 volume. Folio. With a full-page portrait of Martin Luther engraved by C. J. Visscher after François Steurhelt as a frontispiece, an engraved general title-page by Frans Brun (or Fransz Brunen) after Crispijn de Passe, a full-page portrait of Adolf Visscher engraved by Zacharias Webber after I. Suijderhoef, 6 folding double-page engraved maps, 6 double-page engraved plates showing a total of 96 biblical scenes (16 scenes per plate) printed by Frederick de Witt and engraved by Cornelis Danckerts after Mattheüs Merian, and an elaborate engraved tail-piece by Crispijn de Passe, dated 1648, on G2v (of the preliminaries). With three divisional typographical title-pages for the prophets, Biblical apocrypha and the New Testament, including Van Baardt’s detailed woodcut vignette, decorated woodcut initials (at least 3 series) and ornamental woodcut tail-pieces. Contemporary richly blind-tooled calf over wooden boards, sewn on 7 supports with corresponding raised bands on the spine, with large brass clasps, catch plates and corner-pieces on both boards, red edges. Both boards show a large ornamental lozenge centrepiece within a multiple fillet frame (both thin and thick lines) with four small triple-acorn corner-pieces in the innermost frame. The edges on the inside of the boards are bevelled.

First edition of this beautifully illustrated Dutch translation of the influential Luther Bible, with the engraved title-page, all plates and a large tailpiece expertly contemporary hand-coloured and strikingly highlighted in gold. This edition, published by (the widow of) Van Baardt, is also known as the “Visscher bible”, after its translator. It is certain that Visscher based his translation on Luther’s original bible and the two known Dutch translations: the “Lotter bible” by Bugenhagen (1554) and the “Biestkens bible” (1560). Apparently, Visscher did not use the new and by then already renowned Dutch States translation (commissioned during the Synod of Dordrecht in 1618-1619) and did not want to change Luther’s original translation, which unfortunately resulted in a difficult to read work. Nevertheless, this became the standard Bible of the Dutch Lutherans. (Darlow & Moule).

The present work was printed by Rieuwert Dircksz van Baardt (1599-1648) – according to I.H. van Eeghen – at the presses of Lodewijk III Elsevier (1604-1670). The work was published after Van Baardt’s death by his widow and was illustrated with engraved maps by Nicolaes Visscher (1618-1679) after his father Claes Jansz. Visscher (1587-1652) and a complete series of Mattheüs Merian the Elder’s (1593-1650) reduced scenes engraved by Cornelis Danckerts (1603-1656) and printed by Frederik de Wit (1630-1706) in Amsterdam. These two sets of engraved plates were published separately for the purpose of being added to Bibles such as the present one, or the Dutch States Bible for example. The illustrations are expertly hand-coloured and all highlighted in gold.

With the small bookplate of Jan Willem Six de Vromade (1872-1936): “Ex bibliotheca J.W. Six” on the front paste-down. The binding shows very slight signs of wear, mainly around the spine, minor foxing and spotting throughout, mainly to the outer margins, with a ca. 4 cm tear in the foot margin of leaves a5 and a6 in the New Testament, without loss but slightly affecting the text, the last ca. 10% of the leaves show a very small (to max. ca. 1 cm in the last few leaves) wormhole in the gutter margin, barely affecting the commentary but not the main text.
Otherwise in very good condition.

[18], 278; 112; 70; 132 ll.
LITERATURE: Darlow & Moule 3311; Poortman Bijbel en Prent I, pp. 137-139; STCN 089354303 (18 copies); WorldCat 68853298 & 67063785 (16 copies, including 8 also in STCN); cf. for the maps: Poortman & Augusteijn pp. 179-185 (maps 1,3 and 5 in their very first early state by N. Visscher, the others in the first state); for the small engraved scenes: Poortman, Bijbel en Prent I pp. 172-173 & II p. 66; for the portrait of Visscher: Muller Portretten 5690a; for the printing history: I.H. van Eeghen, ‘La Bible luthérienne de 1648. Une édition Elevérienne inconnue’, in : Studia bibliographica in honorem Herman de la Fontaine Verwey, Amsterdam 1966, 119-128.

  • Creator:
    Claes Jansz. Visscher (II)(Designer)
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)Depth: 4.5 in (11.43 cm)
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    GoldLeatherPaintPaperAmsterdam School
  • Place of Origin:
    Netherlands
  • Period:
    1640-1649
  • Date of Manufacture:
    1648
  • Condition:
    Good

  • Seller Location:
    ZWIJNDRECHT, NL
  • Reference Number:
    Seller: LU9419237458592
]]> https://www.cenove.shop/product/dutch-luther-bible-with-fine-hand-coloured-and-highlighted-in-gold-illustrations/feed/ 0 Hand-coloured set of Buffon’s Histoire naturelle in its most luxurious form https://www.cenove.shop/product/hand-coloured-set-of-buffons-histoire-naturelle-in-its-most-luxurious-form/ https://www.cenove.shop/product/hand-coloured-set-of-buffons-histoire-naturelle-in-its-most-luxurious-form/#respond Sat, 12 Oct 2024 02:50:34 +0000 https://www.cenove.shop/product/hand-coloured-set-of-buffons-histoire-naturelle-in-its-most-luxurious-form/ Publisher: Buffon, Georges-Louis Leclerc de
Place / Date: Dordrecht, Abraham Blussé, 1766-1799
Size: 38 parts in 21 volumes.

Large 4to. With more than 1100 hand-coloured engraved plates, 10 maps, 1 folding engraved table, and an engraved portrait of Buffon (by Houbraken, with an extra-added uncoloured portrait pasted on the verso). Contemporary, uniform half tanned sheepskin.

Finely hand-coloured copy of the 1766-1799 Netherlands edition (in French) of Buffon’s justly famous Histoire naturelle, the complete first series, covering the formation of the earth, humans, mammalian quadrupeds and apes, reptiles and amphibians, birds, fishes and even minerals, also describing the royal collection of Louis XV. Buffon’s work presents ”for the first time a complete survey of natural history in popular form” (PMM).

The present set, in the works rarest and most expensive form, is exquisite. The subscription notices periodically mention copies printed on fine paper, but they do not mention hand-coloured copies. Landwehr, discussing the first Dutch-language edition (no. 46, by the same publisher) cites contemporary sources referring to four forms of publication: on regular paper, on large paper, with hand-coloured plates and (most expensive of all) with hand-coloured plates and vignettes.
Buffon opens the first volume with an essay called “Théorie de la terre”, where “for the first time he outlines a satisfactory account of the history of our globe and of its development as a fitting home for living things. In his view the earth had been originally part of the sun which was broken off by the impact of a comet. It gradually condensed from its gaseous state, and the forces shaping its continents and mountains are still active” (PMM).

From his exhaustive research for the Histoire naturelle des quadrupèdes, Buffon came to the conclusion that it was necessary to reintroduce the notion of family. Breaking with the spirit of his time, Buffon attempted to separate science from metaphysical and religious ideas. As a disciple of Locke he denied idealistic metaphysics, stating that mental abstractions can never become principles of either existence or real knowledge; these can come only as the results of sensation” (DSB).

Buffon did not believe in the fixity of species but proposed that nature is constantly changing. For instance, in the case of quadrupeds he stated that there were 38 basic types that degenerated over the centuries. According to Buffon, the monkey is a degenerated man, the ass a degenerated horse. His interest in the precise connection between groups of animals that are obviously related prompted Buffon to devote much attention to comparative anatomy in the Histoire naturelle. He also stressed the importance of the study of earth sciences for botany and zoology. “Life and animation, instead of being a metaphysical point in being, is a physical property of matter” (DSB). Buffon’s views on the origin and development of species and the history of the earth show how he tried to describe natural phenomena by means of science, discarding metaphysical and religious explanations. “He was the first to create an autonomous science, free of any theological influence … [and] establish[ed] the intellectual framework within which most naturalists up to Darwin worked” (DSB).

Buffon was assisted by the anatomist Louis Daubenton and others, and the final volumes were completed after his death under the direction of Comte de Lacépède.
With the owners name “Sir G[eorge]. Murray” (1772-1846) on the half-title of most volumes. He was a Scottish soldier from a noble family, who served in Flanders, the West Indies, Egypt and elsewhere, eventually becoming quarter master general of Wellingtons staff in Spain and Portugal and reaching the rank of General. He was Knighted in 1813, held governorships of several colonies and the military college at Sandhurst, along with leading posts at the Colonial Office (where he helped establish the colony of Western Australia) and served from 1823 as a member of the British parliament. With the bookplate of the German entrepreneur and bibliophile Hans Dedi (1918-2016). Lacking a few half-titles (for example in the bird volumes 1 and 2), but otherwise in very good condition (most of the plates fine), with occasional stains and spots, a few tears and repairs, the binding also with some minor wear and repairs.

A splendid copy of a seminal monument of natural history.

Landwehr, Coloured plates 45 and 46, Dutch ed.; Nissen, ZBI, 678.

  • Creator:
    Georges-Louis Leclerc, Comte de Buffon(Author)
  • Dimensions:
    Height: 9.85 in (25 cm)Width: 1.19 in (3 cm)Depth: 7.09 in (18 cm)
  • Sold As:
    Set of 21
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    PaintPaperAmsterdam School
  • Place of Origin:
    Netherlands
  • Period:
    Late 18th Century
  • Date of Manufacture:
    1766-1799
  • Condition:
    Excellent

  • Seller Location:
    ZWIJNDRECHT, NL
  • Reference Number:
    Seller: LU9419237706292
]]> https://www.cenove.shop/product/hand-coloured-set-of-buffons-histoire-naturelle-in-its-most-luxurious-form/feed/ 0 Seminal guide to the East and West Indies, with 42 coloured maps and plates https://www.cenove.shop/product/seminal-guide-to-the-east-and-west-indies-with-42-coloured-maps-and-plates/ https://www.cenove.shop/product/seminal-guide-to-the-east-and-west-indies-with-42-coloured-maps-and-plates/#respond Sat, 12 Oct 2024 02:49:42 +0000 https://www.cenove.shop/product/seminal-guide-to-the-east-and-west-indies-with-42-coloured-maps-and-plates/ Seminal guide to the East and West Indies, with 42 double-page and folding plates, including 6 maps, all engravings beautifully coloured by a contemporary hand

LINSCHOTEN, Jan Huyghen van.

Histoire de la navigation … aux Indes Orientales … Avec annotations de B. Paludanus, … Troixiesme edition augmentee.
Including:
LINSCHOTEN, Jan Huyghen van. Le grand routier de mer, …
[LINSCHOTEN, Jan Huygen van]. Description de l’Amerique & des parties d’icelle, …
Amsterdam, Evert Cloppenburg, 1638. Folio (32.5 x 21 cm). With 3 title pages (2 from the same full-page engraving and 1 letterpress with an engraving of a ship in a cartouche with 4 inset city views), a nearly full-page engraved portrait of the author in a cartouche with 4 inset views, 42 engraved plates including 6 maps (31 double-page & 11 larger folding). All plates are colored by a contemporary hand. Near contemporary mottled calf, gold-tooled spine. [8], 206 pp.; [4], 181, [1 blank]; [1], [1 blank], “86” [= 80], [2 blank] pp.

A hand-colored copy of the third French edition of Linschoten’s classic illustrated guide for travelers to the East and West Indies, termed by Lach ”the most important of the first-hand accounts published independently of the great travel collections” (I.198). No other book contained so much useful intelligence on the East and West Indies. Unhindered by the censorship that constrained writers from the Iberian peninsula (details of seas and coasts in Asia and the Americas were military secrets), he included such information as sailing directions, physical descriptions of countries, and statistics on commerce and trade. The work was held in such high regard that for nearly a century, every Dutch ship sailing to Africa and Asia carried a copy of a Dutch edition of Linschoten. The 42 plates (11 large folding) are especially noteworthy, including 6 maps and several bird’s-eye views, many with coats of arms of the regions shown and of the colonial powers that controlled parts of them.
Although the work contains a valuable survey of the New World, the material on India and the East Indies is the most valuable, being the fruit of the author’s observation. In the service of the Portuguese, Linschoten spent five years in Goa (1583-1588/89), making numerous visits to other parts of India. He was thoroughly immersed in Indian culture and the complex relations between the Portuguese colonial apparatus and indigenous peoples. Highlights include a first-hand description of the caste system, political structures, business practices of the Banyas, and exotic natural phenomena.
The text is divided into three parts. The first part covers the East Indies and East Africa, including regions as far east as Japan. The second describes the navigation along the coasts of West Africa around the Cape of Good Hope to Arabia, together with some coasts in the New World. The third book is devoted to North America, the Caribbean, and Brazil.

About 4 sheets were slightly browned and a few others with spots or minor foxing, a tear was repaired in the title page to part 3 (not affecting the text or engraving), one plate was cut and reattached at an early date and a few others show minor browning or small tears where the folds cross, the corner of one leaf torn off (without loss of text) and a few other minor marginal defects, but still generally in very good condition, with the coloring rich and in good condition. The boards are slightly rubbed and the head and foot of the spine are expertly restored, but the binding is still in good condition.

A seminal work on navigation to the East and West Indies that opened up exploration to explorers outside Spain and Portugal.

Alden & Landis 638/37 (8 copies); Lach, Asia in the making of Europe I, pp. 196-204 & 482-490; Palau 138584; Sabin 41373 & 28266; STCN (3 copies); Tiele, Bibl. 686-688.

  • Creator:
    Jan Huygen van Linschoten(Author)
  • Dimensions:
    Height: 12.6 in (32 cm)Width: 8.27 in (21 cm)Depth: 1.58 in (4 cm)
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    Paper
  • Place of Origin:
    Netherlands
  • Period:
    Early 17th Century
  • Date of Manufacture:
    1638
  • Condition:
    Good

  • Seller Location:
    ZWIJNDRECHT, NL
  • Reference Number:
    Seller: LU9419237930722
]]> https://www.cenove.shop/product/seminal-guide-to-the-east-and-west-indies-with-42-coloured-maps-and-plates/feed/ 0 19th Century Georgian wooden treen Tobacco Jar with loose flat cover Netherlands https://www.cenove.shop/product/19th-century-georgian-wooden-treen-tobacco-jar-with-loose-flat-cover-netherlands/ https://www.cenove.shop/product/19th-century-georgian-wooden-treen-tobacco-jar-with-loose-flat-cover-netherlands/#respond Sat, 12 Oct 2024 02:48:59 +0000 https://www.cenove.shop/product/19th-century-georgian-wooden-treen-tobacco-jar-with-loose-flat-cover-netherlands/ This exquisite 19th-century Georgian Dutch wooden treen tobacco jar from the Netherlands is a fine example of craftsmanship and functional design. The jar features a beautifully turned, stepped body and base, showcasing the skillful woodworking techniques of the period. It is accompanied by a loose, flat cover with a turned, fitted lid, topped with a centered raised finial handle for easy access. This tobacco jar not only serves as a practical storage solution but also stands as a charming decorative piece, reflecting the elegance and tradition of 19th-century Dutch treenware.

For this Object, we offer free shipping. Questions or interest such as a bid (in some cases), can be made anytime.

  • Dimensions:
    Height: 9.85 in (25 cm)Diameter: 7.88 in (20 cm)
  • Style:
    Dutch Colonial(In the Style Of)
  • Materials and Techniques:
    WoodHand-CraftedTurned
  • Place of Origin:
    Netherlands
  • Period:
    19th Century
  • Date of Manufacture:
    1890
  • Condition:
    GoodWear consistent with age and use. Over time, this object has some slight signs of use. Crack in the lid. For questions you can always contact via the “ask the seller” button.

  • Seller Location:
    Antwerpen, BE
  • Reference Number:
    Seller: LU9036240001982
]]> https://www.cenove.shop/product/19th-century-georgian-wooden-treen-tobacco-jar-with-loose-flat-cover-netherlands/feed/ 0 Wood Trunk from Borneo, Early 20th Century https://www.cenove.shop/product/wood-trunk-from-borneo-early-20th-century/ https://www.cenove.shop/product/wood-trunk-from-borneo-early-20th-century/#respond Sat, 12 Oct 2024 02:48:30 +0000 https://www.cenove.shop/product/wood-trunk-from-borneo-early-20th-century/ An early 20th Century Teak and Cedar trunk, hand-crafted in Borneo, Indonesia.

The outside of the trunk is finished in caramel brown, with original metal handles on the sides and also its original metal lock. The inside is raw, unfinished cedar, with one small compartment and one small drawer.

Sound structural condition. The finish presents signs of use consistent with its age.

  • Dimensions:
    Height: 19 in (48.26 cm)Width: 31.5 in (80.01 cm)Depth: 19.5 in (49.53 cm)
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    CedarMetalHand-Crafted
  • Place of Origin:
    Indonesia
  • Period:
    1910-1919
  • Date of Manufacture:
    Early 20th Century
  • Condition:
    GoodWear consistent with age and use. Minor fading. No structural issues or significant losses.

  • Seller Location:
    New York, NY
  • Reference Number:
    Seller: 03 INDO 7191Seller: LU825036855432
]]> https://www.cenove.shop/product/wood-trunk-from-borneo-early-20th-century/feed/ 0 An exceptional pair of BLAEU table globes https://www.cenove.shop/product/an-exceptional-pair-of-blaeu-table-globes/ https://www.cenove.shop/product/an-exceptional-pair-of-blaeu-table-globes/#respond Sat, 12 Oct 2024 02:47:51 +0000 https://www.cenove.shop/product/an-exceptional-pair-of-blaeu-table-globes/ A very rare set of globes, 9 inch / 23cm, with an overall height of 38 cm, Amsterdam, dated 1602, but published after 1621. In their original stands with circular wooden horizon rings, covered with printed paper, supported by four legs and brass meridian rings supported by a single column.

The terrestrial and celestial globe are made up of a set of 12 engraved gores, heightened in gold and Arctic ice caps, printed on paper and mounted on a plaster sphere of papier maché. Each sphere is mounted in a graduated brass meridian ring with the production number stamped at the back of the ring. Both globes are mounted on four-legged ebonized oak Dutch stands, which support the horizon ring. The legs are connected by two crossbeams which support a circular base plate with central support for the meridian ring. The horizon rings are covered with printed paper. With usual defects: paper equinoctial tables present gaps that are filled and restored; small splits along gores; several partially deleted entries; on the globe, the date 1602 and the text of the cartouche in America, are illegible ; small scattered spots but in general in good condition for such an early globe pair of which presently only 19 pair are recorded.

These 9-inch globes are among the rarest since very few copies of them are known to exist, in comparison with the smaller or larger globes of Blaeu (4, 6, 13.5, and 26 inches). Blaeu’s terrestrial globes were highly valued and were much in demand, because of the care with which they had been prepared, because of the efforts to give the latest information on discoveries, and because of the loxodromic lines that made them of special value to navigators.
His celestial globes were appreciated for the fact that he had been the pupil of Tycho Brahe, who was himself known to be the greatest astronomer of his time.

Willem Janszoon Blaeu (1571–1638), originally trained in astronomy, he quickly became a leading maker of maps, atlases and instruments. Blaeu’s globes were luxury items for wealthy and intellectual merchants and nobility who benefited from Blaeu’s access through the Dutch East India Company to the latest navigational discoveries and geographical information.

Willem Jansz Blaeu collected information that Dutch mariners gathered from around world and brought back to Amsterdam. Crews were instructed to record information about the lands they visited and the skies they saw. Blaeu incorporated these observations in maps and globes. Through his web of contacts and thanks to assiduous research, he was also able to obtain the most recent information about the latest discoveries in the western hemisphere and the South Pacific, where Dutch explorers were particularly active at the time.
Since the globe was published after 1618, Blaeu was able to include the discoveries made by Henry Hudson in his attempt to find a passage to the East Indies. He also included recent Pacific discoveries of the celebrated voyages of Willem Cornelis Schouten and Jacob Le Maire, who both traversed the South Pacific and the Atlantic. The findings of Schouten and Le Maire in the Tierra del Fuego region are also incorporated.
The Strait of Le Maire is drawn and the hypothetical southern continent is labelled “Terra Australis Incognita Magalanica”. Olivier van Noort’s track is drawn and labelled. His route is indicated with a broken line and the words: “Navigationis Olivierij ductus” (several times). There are various decorative features, such as animals on the different continents, many ships on the high seas and allegorical and mythical figures around the cartouches.

The nine-inch globe is not just a smaller version of the one published in 1599. Drawings of animals and people do often correspond to those on the earlier globe, but Blaeu made several significant changes.
– The west coast of North America is drawn differently and the river system of Brazil is altered.
– The hypothetical southern continent is labelled: Terra Australis Incognita Magallanica.
– There are nine ocean names in handsome curling letters: Mare Congelatum, Mare Atlanticum, Oceanus Aethiopicus, Mare Arabicum et Indicum, Mare di India, Oceanus Chinensis, Mar del Zur, Mare Pacificum, Mar del Nort.
– Willem Blaeu, always eager to display the latest discoveries, traced the route of Van Noort’s route with a broken line. The findings of the voyage of Schouten and Le Maire in the Tierro del Fuego region are included, despite the 1602 date (names: Fr. Le Maire, Mauritius, Staten Landt, C.Hoorn, I.Barneveltij).

The following states are known:

Terrestrial
First state: 1602 (no known examples).
Second state, c1618-1621 (no known examples).
Third state: 1602, but c1621 (the present example).
All the states are dated 1602 but the second state must have been published after 1618, since it includes the discoveries of Schouten and Le Maire (1615–1617), but not the name “Blaeu”.
Elly Dekker makes no distinction between the different states. The third state can be divided into states 3a and 3b. All globes have a different production number, some of which are illegible today. This terrestrial nine-inch globe is marked with “fabr. nr. 4”.

Celestial
First state: 1602 (known in a catalogue record but no known example surviving).
Second state: presumably published after 1621.
All 30 known celestial globes are in the second state, as this one, which is marked with “fabr. no. 12”.
Rare: there are 19 recorded pairs, of which 14 are in institutions.

Bibliography
Van der Krogt, Globi Neerlandici BLA III
Dekker GLB0152, GLB0083 (terrestrial) and GLB0151 (celestial).

  • Creator:
    Willem Blaeu(Designer)
  • Dimensions:
    Height: 15 in (38.1 cm)Diameter: 9 in (22.86 cm)
  • Sold As:
    Set of 2
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    OtherPaperWoodAmsterdam School
  • Place of Origin:
    Europe
  • Period:
    17th Century
  • Date of Manufacture:
    1602
  • Condition:
    GoodRepaired: The hour circles are renewed, the space between the gores are filled up at some places, the gold on the compass roses has been complemented. Wear consistent with age and use. In general in good condition for such an early globe pair.

  • Seller Location:
    ZWIJNDRECHT, NL
  • Reference Number:
    Seller: LU9419237294302
]]> https://www.cenove.shop/product/an-exceptional-pair-of-blaeu-table-globes/feed/ 0 A pair of extremely rare Valk table globes https://www.cenove.shop/product/a-pair-of-extremely-rare-valk-table-globes/ https://www.cenove.shop/product/a-pair-of-extremely-rare-valk-table-globes/#respond Sat, 12 Oct 2024 02:47:06 +0000 https://www.cenove.shop/product/a-pair-of-extremely-rare-valk-table-globes/ Title on the globes:
VALK, Gerard and Leonard. [Terrestrial globe:] Cosmotheore, caelesti nostro globo, par, et plane novus, hic terrestris ut existeret, certo scias, errore veterum sublato, non tantum utriusque orbis, longitudines ac latitudines, par reiterates neotericorum observationes, hicce esse restitutas, sed et nullum typis emendatiorem prodiisse, hoc igitur novissimô tam diu fruere, donec sub majori forma, meô aere alios excudam Gerardus Valk calcographus, Amsterdami, A[nn]o 17[50] cum privilegio. Amsterdam, [Maria Schenk, widow of Leonard Valk], 17[50]. And: [Celestial globe:] Uranographia, caelum omne hie complectens, illa pro ut aucta, et ad annum 1700 competum, magno ab hevelio, correcta est, ita, ejus ex prototypis, sua noviter haec ectypa, veris astronomiae cultoribus, exhibit et consecrate, Ger. et Leon. Valk, Amstelaedamenses. Amsterdam, Gerard and Leonard Valk, [ca. 1711].

A pair of rare Valk table globes published by Gerard and Leonard Valk at Amsterdam ca. 1711 and their heirs in 1750.

The Dutch globe makers Gerard Valk (1652–1726) and his son Leonard Valk (1675–1746) were the most important, indeed the only significant, publishers of globes in the Netherlands in the eighteenth century. The design of their globes was completely new and incorporated the latest geographical and astronomical discoveries, making them the most accurate globes of their time.

Valk completed his present 15 inch (39 cm) globes in 1707 and the copper plates went through several states over the years. The terrestrial globe is here in what Van der Krogt calls state 3 (with the date changed to 1750 by pasting a slip over the “45” of the “1745” in state 2). Leonard Valk made the most important revision to the 1707 topographic image sometime between 1730 and 1745 when he revised the Caspian Sea and Aral Sea based on a new mapping. The celestial globe, is in state 2 (as published ca. 1711, when Leonard’s name was added to his father’s, but it was not further revised until 1745). The Valks apparently numbered each globe they made, stamping the number on the back of the brass meridian ring near the north pole and beginning a new series when the plate was revised.

The present terrestrial globe is numbered “3”; the meridian ring of the celestial globe is not original and bears no number. They apparently made very few of these globes, for in the present states Van der Krogt records no numbers higher than 10 for the terrestrial globe or 7 for the globe. By contrast, for the 12 inch celestrial globe in state 2 he records a globe number 45 and for several others he records numbers in the 20s and 30s.

The present pair form a beautiful example of the outstanding work of the Dutch Valk family as globe makers. Each globe made up of two hollow paper-maché hemispheres joined at the equator and covered with a layer of plaster, the whole covered with eighteen engraved gores and two polar calottes, the celestial calottes on the ecliptic poles. The equator is graduated in individual degrees, the ecliptic in individual days of the houses of the Zodiac with sigils. Each globe has a brass meridian ring and hour dial with a hand-coloured printed paper ring on the wooden horizon ring, showing degrees and the days of the houses of the Zodiac.

Each globe supported by four columns with bun feet on a Dutch-style oak stand connected by cross-stretchers supporting a circular base plate, with a support for the meridian ring at its centre. Including the oak stand, each globe has a height of 59 cm (23 inches). The last two digits of the year on the terrestrial globe have been nearly obliterated, but one can see that they were formerly covered with a slip, as expected in state 3. Both stands are new and the celestial globe has a later hour dial and brass meridian ring and its paper horizon ring is in facsimile. Some minor paper repairs in Ethiopia (terrestrial globe) have been professionally restored. Overall in good condition. An extraordinary, eye-catching set of these rare globes.

Van der Krogt, Globi Neerlandici, pp. 313–331, 555–557, globes VAL III T state 3 (4 copies: numbered 2, 4, 8 & 10) & VAL III C state 2 (4 copies, numbered 2, 6, 7 & one unnumbered).

  • Creator:
    Gerard and Leonard Valk(Designer)
  • Dimensions:
    Height: 23 in (58.42 cm)Diameter: 15 in (38.1 cm)
  • Sold As:
    Set of 2
  • Style:
    Dutch Colonial(Of the Period)
  • Materials and Techniques:
    OtherPaperWoodAmsterdam School
  • Place of Origin:
    Netherlands
  • Period:
    18th Century
  • Date of Manufacture:
    1700/1750
  • Condition:
    GoodReplacements made: The celestial globe has a new stand, a later hour dial and brass meridian ring and its paper horizon ring is in facsimile. Some minor paper repairs in Ethiopia (terrestrial globe) have been professionally restored. Wear consistent with age and use. Overall in good condition. An extraordinary, eye-catching set of these rare globes.

  • Seller Location:
    ZWIJNDRECHT, NL
  • Reference Number:
    Seller: LU9419237295392
]]> https://www.cenove.shop/product/a-pair-of-extremely-rare-valk-table-globes/feed/ 0 18th Century l Painted and Tooled Leather Four-Panel Screen https://www.cenove.shop/product/18th-century-l-painted-and-tooled-leather-four-panel-screen/ https://www.cenove.shop/product/18th-century-l-painted-and-tooled-leather-four-panel-screen/#respond Sat, 12 Oct 2024 02:46:31 +0000 https://www.cenove.shop/product/18th-century-l-painted-and-tooled-leather-four-panel-screen/ 18th Century painted and tooled leather four panel screen. Probably Dutch, painted with scrolling flowers and foliage, the reverse with gilt-tooled foliate decoration.

  • Dimensions:
    Height: 65.5 in (166.37 cm)Width: 16 in (40.64 cm)Depth: 1.5 in (3.81 cm)
  • Style:
    Dutch Colonial (In the Style Of)
  • Materials and Techniques:
    LeatherPaintWood
  • Place of Origin:
    Netherlands
  • Period:
    18th Century
  • Date of Manufacture:
    18th Century
  • Condition:
    GoodWear consistent with age and use.

  • Seller Location:
    Bradenton, FL
  • Reference Number:
    Seller: 1599 XSeller: LU6067238155002
]]> https://www.cenove.shop/product/18th-century-l-painted-and-tooled-leather-four-panel-screen/feed/ 0